Arcadia Molinas speaks to the New York-based poet, playwright and performer, Maya Martinez, about her new book Theatrics, turning sculptures into poems and the world’s biggest hoax: recycling.

Arcadia Molinas speaks to Maya Cordero from Discount Guillotine about the importance of small presses, getting poets paid, and how to plot world domination one poetry reading at a time.

A poem by Victoria Brooks

Arcadia Molinas reviews Cherry Velour’s ‘Red Thread to Hold’ performance and speaks to the artist about pain, BDSM and some of her favourite books.

Writer and director Mary Harron speaks to Meredith Davis about her debut feature 'I Shot Andy Warhol', her relationship to the radical Valerie Solanas, the SCUM Manifesto, and the enduring allure of writing villains.

Maeve de Bordóns Álvarez speaks to Jack Scollard and Jordan Hearns from SMUT Press about the organic growth of their press, going from zine-making to putting together a book, and always keeping their community at the heart of all they do.

Author Charlie Porter speaks to Noah T. Britton about his first novel ‘Nova Scotia House’, embodied histories, partying and centring pleasure.

“It was February, and we were at a pool bar in Miami after all.”

A short story by Sheridan Wilbur.

Surrealist music and spring poetry: Worms editor Arcadia Molinas goes to a From the Lips to the Moon show in Cafe OTO.

Tiny and longer poems by Poppy Cockburn

From Worms 8, Clem MacLeod speaks to poet Anne Waldman on paying attention to stories, people and archives; and passing them on through writing and performance.

From Worms 2, read Tilly Lawless as she reflects on all the books she has accrued using nothing but her body.

Poet, playwright and translator, Ariana Reines speaks to Arcadia Molinas about her new book Wave of Blood, sacred texts and the experience of cells mutating when writing in an embodied way.

Johanna Hedva on craft, care, kink and their two latest books.

Love is in the air and so are WORMS! We’re welcoming Valentine’s month with a lovely sale on our online shop.

Beneath the glossy veneer, the issue of Novembre sheds its silk for soil, burrowing deep into the underbelly of the literary with a special supplement from WORMS.

Elida Silvey delves into Sarah Charlesworth's photographic series, exploring how art anchors memory and intertwines space, place, and time.

What does decolonialism sound like? A review of Contrafacts: A Night of Experimental Protest Music curated by Nicko Mroczkowski.